The start chuggin pattern on the guitar is B major and then F# then it moves to F#sus4 and B and so on... However the song is in B minor MUKHDA (Main Verse) .....Bm........A........Bm......... Mere Sapnon Ki Rani Kab Aayegi Tu .....Bm.....A........G......... Aayi Rut Mastani Kab Aayegi Tu ......Bm.........A........D......... Beeti Jaaye Zindagani Kab Aayegi Tu .......A................Bm... Chali Aaaa Tuuuuu Chali Aaaa Then the chugging guitar pattern this time is in F# all thru the music the chords are F# and F#sus4 The last 2 chords are C CCCCC CCCCCC G GGGGG Bm to stop ANTRA (Stanza) Bm...............Bm.......A...... Phool Si Khilke <chords> <chords> Bm.............Bm.......A...... Paas Aa Dilke <chords> <chords> Bm.........A.....A........A...... Door Se Milke <chords> <chords> D........Bm......Bm.......Bm..... Chain Na Aaye <chords> <chords> Bm............. Phool Si Khilke Bm............. Paas Aa Dilke Bm.......A...... Door Se Milke D........Bm.... Chain Na Aaye ......A................D....Bm..... Haaye Kab Tak Mujhe Tadpaayegi Tu
Bhai Mast Chords Hain.............very Melodious Song..............can Sing Anywhere Anytime......and When Chords Are Perfect Like This..the Song Becomes Lovely Bandbajaaaaaaaaaa.......nice Weldon........
@ bandbaaja.. ur posts r 100% trusted.. and i have seen ur post after many days.. Most of the pals here r new and they dont know you and ur post... i have learnt most of my guitar lessons from your post... plz keep them coming ... thou miss Jays posts... thnkx,
very nice chords Bandbaaja...as always Can you post the strumming as well...especially for the Antara... Thanks...
aah the strumming patterns are pretty difficult to write and worse to understand in a written UDUDUDU style. basically keep a chugging train strumming pattern thru the music interludes and a basic DOWN UP DOWN UP pattern during the song verses. for the antra, those stop guitar phrases are simple down up motion patterns played fast with a little chorus / flange effect causing the sound to be so unique. The idea is to listen and imitate as much as possible since its more of a 'feel oriented' playing style