Link:Malaiyoram - Paadu Nilave (HQ) - YouTube My Version: (C#m)malaiyoram (F#m)veesum katru (A)manasodu (F#m)paadum paattu (C#m)ketkutha ketkutha yaararo (Ab)paadinaalum(C#m) aararo aagathamma sonthangal (Ab)thedinalum(C#m) thanthai thaai aagathamma ennoda (A)thai thantha (F#m)paatu thaana(Ab)mma Stanza: (C#m)vaan parantha then sittu (Ab)naan pu***ka vaaratha (C#m)kallirukkum rosapoo (Ab)kai kalakka koodatha (C#m)raappoth(Ab)u aa(C#m)na un (C#m)raagan(Ab)gal thaa(C#m)na (C#m)anbe so(Ab)l naa(C#m)na thoda (C#m)aaga(Ab)tha aa(C#m)na ull moochu (C)vaanginene(C#m) mul meethu (C)thoonginene(C#m) illatha (C)baaramellam(C#m) nenjodu (A)thaanginene (Ab)nilava naalum thedum (F#m)vaanam thaa(C#m)n
My version is slightly different (C#m)malaiyoram (F#m)veesum katru (A)manasodu(F#m)paadum paattu (C#m)ketkutha ketkutha (C#m)yaararo (C#m#/Ab)paadinaalum (C#m)aararo aagathamma (C#m)sonthangal (C#m/Ab)thedinalum (C#m)thanthai thaai aagathamma (C#m)ennoda (A)thai thantha (F#m)paatu thaana(Ab4)mma Stanza: (C#m)vaan parantha then sittu (Ab)naan pudi.kka vaaratha (C#m)kallirukkum rosapoo (Ab)kai kalakka koodatha (C#m)raappo(Ab)thu (C#m)aana un (C#m)raagan(Ab)gal (C#m)thaana (C#m)anbe (Ab)sol (C#m)naana thoda (C#m)aaga(Ab)tha (C#m)aana (C#m)ull moochu vaangi(Caug)nene (C#m)mul meethu (Bbdim7)thoongi(Caug)nene (C#m)illatha baara(Caug)mellam (C#m)nenjodu (Bbdim7)thaangi(Caug)nene (Ab)nilava naalum thedum (F#m)vaanam (C#m)naan Rajesh :music:
Roentgen & Senthil, Thank you so much, this is such a good melody. On a kadi note, namma Mohanukku yaravadhu please 'cake' thangappa. ;-) Rajesh
I didnt noticed this post.. i just played my version and later saw this post exist already long back 2013...(would have avoided hitting wrong chords eeeeeee ) What a voice ya...SPB just make our soul melting.. Ufff...All credits to இளையராஜா the legend... Proud to be living during the living legend period...
Ungalukke difficult ah... Ilayaraja uses some easy technique which he use to tell his fellow players how to play the chords easily in guitar and keyboards.. Often he uses chord inversion to keep all relative chords nearby and easy to play...