AA DIL KYA (KEY = Abm) Intro bangs / Abm / F# / C# / Abm . F# / Abm / continue strumming Abm till song starts Aa.....dil...kya....meh..fil....hai..te..re... Kadmon mein Abm.........F#............C#............Abm................... Aa.....dil...kya....meh..fil....hai..te..re.................... Abm.........F#............C#............Abm................... Duniya ki bahare tere liye C#m6........................... Strum Abm in gap Chand sitare tere liye....... HO HO HO C#m6........................... Jaaaa ne a.daaaaa ho ho ho Ab...........C#................... Jaaaa ne a.daaaaa ............ Ab............C#.................. Jaaaa ne wa.faaaaa tujh.pe mai fi.da ho ho ho Ab..............C#.............Ab........Eb............. Jaaaa ne wa.faaaaa tujh.pe mai fida HO O O O Ab..............C#.............B.........F# Aa.....dil...kya....meh..fil....hai..te..re... Kadmon mein Abm.........F#............C#............Abm................... Aa.....dil...kya....meh..fil....hai..te..re.................... Abm.........F#............C#............Abm................... Duniya ki bahare tere liye Chand sitare tere liye....... HO HO HO C#m6............................................................... Jaaaa ne a.daaaaa ho ho ho Ab...........C#................... Jaaaa ne a.daaaaa ............ Ab............C#.................. Jaaaa ne wa.faaaaa tujh.pe mai fi.da ho ho ho Ab..............C#.............Ab........Eb............. Jaaaa ne wa.faaaaa tujh.pe mai fida Ho o o o Ab..............C#.............B.........F# Aa.....dil...kya....meh..fil....hai..te..re... Kadmon mein aaaaa Abm.........F#............C#............Abm...................Abm....
3rd SONG - TUM KYA JAAJO after the "Aa dil kya mehfil" song stops in Abm Play G - 1 stroke per bar for 4 bars and then D for 4 bars (this includes the part where the keyboard is playing the intro melody) Song Hooo ooooo oooo aaah D............................ stop O tum kya jaano ......................D Mohabbat kya hai ...............D..........D O dil ki mehfil sanam ..........D................. Yeh mehfil nahi .......D...................... Dil Hai ......D.... for the interlude tan ta dada dada part play the D chord continuously and keep hitting the D# note from time to time with your little finger (listen to the song to know where to hit the D# properly) ANTRA ...Suno kehna hamara.....Ameeri hai sitara... D7............D7...........D7...........D7..............D7 Gareebi ek aansoooooo ..........C..............C.......C......C. dantada tada tada part ...Yeh ansoo hai mohabbat.. mohabbat zindagi hai D7...............D7..............D7.............D7............D7 Bas itna jaan le toooooooooooooo ............C..............C.......C......C.... dantada tada tada part repeat the song and finish on the dantadatada part after 8 times whew this chording is not a problem but for us musicians to write lyrics is a maha bore
4th SONG - MIL GAYA HUMKO SAATHI th song starts with 2 bangs The B chord and the E chord then the lead played as in TABS given below (note a tricky start the first few notes are in HALF scale higher) E----------------------------------------------- B----------------------------------------------- G----------------------------------------------- D----------------------------------------------- A--7slide8slide7--5--7--5---------------2--6----- E-------------------------7--5---2--4----------- E------------------------------------------------ B------------------------------------------------ G------------------------------------------------ D------------------------------------------------ A--4slide6-4--6-4---------------2---6 sustain---- E------------------6--4---2--4------------------- Play the B chord (in F position on 7th fret) only the first 4 strings, u need the little finger for something else later) TAB X X 9 8 7 7 Song Mil gaya humko saathi mil gaya B....................................... Humse gar koi jal gaya B..................E.......... Ho Ho Jalnede E....E...B......... Ho Ho Jalnede E....E...B......... Chal gaya pyar ka jadoo chal gaya B.............................................. Humse gar koi jal gaya B..................E........... Ho Ho Jalnede E....E...B......... Ho Ho Jalnede E....E...B......... now the TUK TAK TUK TAK part play TUK....TAK...TUK....TAK...TUK....TAK...TUK....TAK... Badd9..B......Badd9..B......Badd9..B......Badd9..B...... even thru the lines that go "TERE LIYE ZAMANA TERE LIYE" you play the TUKTAK TUKTAK part Badd9 is like the B you held as I showed you and the little finger playing the 9th fret on E string (XX9879) THATS IT
Hi Whoa, I love the entire medley ... you are right, RD simply rocks! Love your choice of songs ... Kishore and RD are simply the best ... and for guitar-based songs, I love all the songs from Yaadon Ki Baarat, Hum Kisise Kum Nahin, Ghar and Jawaani Deewani! Haven't tried out the chords as yet, my guitar is currently with my sir who said that he would repair it, the fretboard has apparently bent or something :shock: - Raj.
dont have the song one me.. but i know the mil gaya chords something like.. Milgaya Hum ko Saathi Milgaya .. B............Baug................Abmin........B7 Hum se gar koi kah gaya B7...........Bmaj7.....E ho ho jalne de E6..E..E6....B that song is a copy of mama mia by abba.. except rd added a B7 in the prog.
of course rd copied.. so did shankar jaikishen and salil chowdry and lakshmi pyare.. it wasnt not just bappi lahiri or annu mallick.. its bollywood thats to be blamed.. not the music directors. bappi Lahiris first move was a classic.. chalte chalte etc.. annu mallik's first was soni mahivaal.. look what happned to anand milind after QSQT.. they started copying ilayaraja.. its the system.. that corrupts the minds.. its bollywood.. evil stinky bollywood... anyways iam fftopic: so i will :shutup:
Yeah.. There has been numerous ocassions where all the music directors have copied. 'Mere sapano ki rani ' is nothing but the regular Tequilla tune slowed down with some tweaks here and there. I was listening to some world music fusion type of CD (recorded @ 90 ) and heard the exact same beats of Rangeela, Jaadoo song. So even ARR is not 'dudh ka dhula'. But its just that you have great respect for RD and it sucks to be reminded of the fact that even he copied some time. Sorry 'Bandbaaja'. Off topic. back to chords. Even I remember that there is a 7th chord in "hum se gar koi jal gaya" part. We had to change the scale to suit our singer's scale and I remeber playing C7 there. Anyways. Its a great post!
Hi Jay Yeah you're right about the changes. Bu the B B+ Abm B7 is the keyboard progression which a beginner, intermediate guy can leave out, so I avoided them. The idea was to make them play the songs, if they see too many changes and diminished and augmented there is a general scare ( which I used to face early on) Thanks for reminding me on the B7. Jay and Guru seemed to have overlooked
yea i am a kb player.. so.. can be nickpicky about things.. and chords for me dont mean triads :.. when playing the keyboards. but the thing is half the time when I actually play the guitar, i play only triads.. and not worry too much about m7 and m9s... and sometimes i dont even bother about majors and minors and just play power chords even on the acoustic guitar : .. in my opinion one can easily mask such trivial musical points with lot of attitude
