plz someone post me chords for thoda thoda malarnthethenna, pls thodath thoda marandhadhenna...poovE thottavanai marandhadhenna thodath thoda marandhadhenna...poovE thottavanai marandhadhenna paarvaigaL pudhidhaa..sparisangaL pudhidhaa mazhai vara boomi maruppadhenna paarvaigaL pudhidhaa..sparisangaL pudhidhaa mazhai vara boomi maruppadhenna (thodath thoda) andha iLa vayadhil aatrangarai maNalil kaaladi thadam padhiththOm yaar azhiththaar nandhavanak karaiyil nattu vaiththa sediyil mottu vitta mudhar poovai yaar pariththaar kaadhalar theeNdaadha pookkaLil thEnillai idaiveLi thaaNdaadhE...yen vasam naanillai... thodath thoda malarndhadhenna... poovE sudach chuda nanaindhadhenna paarvaigaL pudhidhu...sparisangaL pudhidhu narambugaL pinnap pinna nadukkamenna thodath thoda malarndhadhenna... poovE sudach chuda nanaindhadhenna pani dhanil kuLiththa paal malar kaaNa irubadhu vasandhangaL vizhi vaLarththEn pasiththavan amudham parugidath thaanE padhinEzhu vasandhangaL ivaL vaLarndhEn ilai moodum malaraaga idhayaththai maraikkaadhE malar koLLum kaatraaga idhayaththai ulukkaadhE thodath thoda malarndhadhenna... poovE sudach chuda nanaindhadhenna paarvaigaL pudhidhaa..sparisangaL pudhidhaa mazhai vara boomi maruppadhenna thodath thoda marandhadhenna...poovE thottavanai marandhadhenna...
Excellent composition by ARR. I heard ARR himself whistled for the prelude and interlude. I love the G#7 towards the end of charanam, very typical of ARR. (E)Thodaththoda (B)malardhadhe(E)nna poovae (A)thottavanai (B7)marandhadhen(E)na? (E)Paarvaigal (A)pudhidhaa (B)sparisangal (E)pudhidhaa (A)Mazhai vara boomi (B7)maruppadhe(E)nna? (E)Andha ila vaya(B)dhil (C#m)aatrangarai manalil (A)Kaaladith thadam padhiththoam(B) yaar azhi(E)thaar (E)Nandhavanak karai(B)yil (C#m)nattu vaiththa chedi(B)yil (A)Mottu vitta mudhal (C#m/G#)poo(B/F#)vai yaar pari(E)thaar (G#7)Kaadhalan (C#m)theendaadha (A)pookkalil (B)thaenillai (G#7)Idaiveli (C#m)thaandaadhae (A)en vasam (B)naanillai Rajesh :music:
wow!!! really special thanks for you <3 whenever i play this song in my piano, i will get stuck in one line that is : (B7)marandhadhen(E)na? it's a rahman's magic, thumbs up for bring out a beautifull mind blowing song.........
speciality of the chords used in Raag Mand hi rajesh, This song is of raag Shankarabaranam(But it also contains essence of raag Mishra mand because of G#7 chord).This G#7 can be used in the apt places if the song is in E to get the essence of pakka classical Mishra mand. Please check it with any other songs of Raag "Mishra Mand" like sowkiyama kanne,anjali anjali pushpanjali,oru naal podhuma. for example,if i play a chord for a part in sowkiyama in E and the pattern goes like this (E)Anbu Naadhane Nee (G#7)Anindha Modhiram (A)Valaiyalagave (B)Thurumbena Ilaithaen If i play a part of anjali anjali in E and the chord goes like this (G#7)Nee enna nilavodu (C#m)Pirandhavala (G#7)poovukkul karuvaagi (C#m)valarndhavala so technically am concluding that ARR made a feel of raag Mishramand by inserting G#7 chords in Raag Shankarabaranam. Regards, Sathya
BOSS I HAVE ANOTHER ONE Veru Velai Unakku from movie ma****ai (Feat. SP Balasubramaniam & S Janaki)...anyone can get western note for this